More on Teaching the Art History Survey
January 9th, 2010
Just back from Rome. And while I was there I googled around on tourism and art history (found a few books and ordered them) and also did some searching on youtube. I found this video after searching “San Pietro in Vincoli “– by someone named zThirdTry:
I love it! It’s very much about his experience of standing in front of the church and entering it – and he speaks directly to us – trying to share that experience with us. He translates the name of the Church for us and explains why it has attracted worshipers for centuries (no, not Moses, but St. Peter’s chains). He talks about the lights going on and off and he shows all the tourists taking pictures. Now I’ve taught Michelangelo’s Moses for many years and never showed the outside of this church. In fact, I’ve never translated the name of the Church and explained the relic that is there. I teach Moses in the context of Michelangelo’s oeuvre and the patronage of Pope Julius II, as I imagine most art historians do. I talk about Julius II’s vision for Rome, for the Papacy and for himself. I show Michelangelo’s ambitious sketches for the tomb of Pope Julius II, and I show what the tomb looks like today – usually with an image like this one – tourist free of course. I talk about the High Renaissance approach to the body – as a vehicle for expressing the spiritual and emotional.
Went I was in Rome visiting San Pietro in Vincoli, I was surprised by how the exterior of the church looked and by the pannini/snack cart permanently parked outside it to serve the throngs of tourists who came to see this Michelangelo masterpiece. I didn’t know where to find the monument within the church. I shot one video to show tourists, and a couple more of the outside of the church, and another one of entering the church and approaching the Tomb – will post those soon, though this one is up now on Smarthistory. Perhaps what I like about zThirdTry’s video is that it shows me a different perspective – a tourist perspective, a tourist who is very interested in art – but who is also a religious person. I think that’s what is missing from the art history textbook – those different perspectives. So, I guess the questions are – do we agree those are important, and if so, what’s the best way to bring those in?
