Sienese Art: Duccio, Martini, and Lorenzetti
Works discussed:
Duccio di Buoninsegna, Madonna Enthroned, c. 1285 (Uffizi Gallery, Florence)
Simone Martini, Annunciation Altarpiece, 1333 (Uffizi Gallery, Florence)
Ambrogio Lorenzetti, Effects of Good Government in the City and in the Country, 1338-1339 (Sala della Pace, Palazzo Pubblico, Siena)
Speakers: Dr. David Drogin, Dr. Beth Harris
In this period and for many hundreds of years later, Italy was not a
unified country, but rather was divided into many small countries we
call city-states. Florence, Siena, Milan,, Venice -- these
were essentially their own countries, with their own governments. The
city-states were often at war with eachother.
Siena had a unique style emphasizing decorative surfaces, sinuous
lines, elongated figures and a heavy use of gold. Duccio is the founder
of the Sienese style, and his work is quite different from Giottos (see
other mini-lectires), since Giotto emphasizes a greater naturalism --
creating figures who are more monumental (large and feeling the pull of
gravity, in correct proportion) and a greater illusion of
three-dimensional space.
Where and When

1300-1350










Your Comments (0)
Add Comments
We think Smarthistory works best when it prompts discussion. Please post (on-topic) comments, (constructive) criticism, and praise (we love praise).*
Maybe you only have hazy memories of a dark auditorium, a soporific voice, and hundreds of slides of Mary and baby Jesus; perhaps you have a love of museums, but have no experience with art history.
Or, maybe you're a designer, an illustrator, a museum educator, a conservator or curator, or even (gasp!) an art historian. Whatever your background, we welcome your thoughts and ideas.
*All comments are moderated