Suprematism: Malevich's White on White
To view the Malevich video, you need the Adobe Flash Plugin. Download it from here
Kazimir Malevich, Suprematist Composition: White on White, oil on canvas, 1918 (MoMA)
Speakers: Dr. Steven Zucker, Dr. Beth Harris







Your Comments (2)
Previous Comments
Dani Bee wrote on Friday, September 04, 2009
The exchange of ideas in this conversation has helped my research and understanding immensely. Thx for the resource.
Daniel Forrest Hoffman wrote on Tuesday, April 06, 2010
Im curious how the suprematists and the Russian constructivists overlapped with regard to the politics. I know that the Russian government was beginning to enforce controls on art and design. Apparently Malevich left Russia because of this, but I see his influence in the constructivist movement. If the government was ok with the constructivist movement and there were hints of suprematism in it, what was it about Malevich's art that so threatened the Russian government?
Add Comments
We think Smarthistory works best when it prompts discussion. Please post (on-topic) comments, (constructive) criticism, and praise (we love praise).*
Maybe you only have hazy memories of a dark auditorium, a soporific voice, and hundreds of slides of Mary and baby Jesus; perhaps you have a love of museums, but have no experience with art history.
Or, maybe you're a designer, an illustrator, a museum educator, a conservator or curator, or even (gasp!) an art historian. Whatever your background, we welcome your thoughts and ideas.
*All comments are moderated