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A-level Art History

A-level: visual analysis

Start here

Foundational skills and tools for visual analysis of art

  • Why look at art?
  • How to do visual analysis
  • Describing what you see: sculpture
  • Glossary

Painting

Painting

Painting

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Abstraction shawl detail

Looking at paintings

Tint-thumb

Tint, shade, and tone

full-arrows

Linear perspective explained

Taddeo Gaddi, Saint Julian, 1340s, tempera on wood, gold ground, 54 x 36.2 cm (The Metropolitan Museum of Art)

Materials and technique of Taddeo Gaddi's Saint Julian

Christ, Mary, and Saints (detail), Michelangelo, Last Judgment, Sistine Chapel, altar wall, fresco, 1534–41 (Vatican City, Rome)

Representation of the body in Western painting

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Sculpture

Sculpture

Sculpture

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ARCHESParthenon

Representation of the body in Western sculpture

Contrapposto

Contrapposto explained

screen-shot-2017-05-19-at-7-58-33-am

Materials and technique of a marble statue of a wounded warrior

Carving marble with traditional techniques - thumb

Carving marble with traditional tools

Lost-wax-thumb

Bronze casting: the "lost wax" technique

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Architecture

Architecture

Architecture

Classical Orders

Greek architectural orders

All content | A-level visual analysis

A-level: Expression and modern art
A-level: Expression and modern art
A-level: Describing what you see: Sculpture, Henry Moore’s <em>Reclining Figure</em>
A-level: Describing what you see: Sculpture, Henry Moore’s Reclining Figure
A-level: How to do visual (formal) analysis
A-level: How to do visual (formal) analysis
A-level: The conservator’s eye—Marble statue of a wounded warrior
A-level: The conservator’s eye—Marble statue of a wounded warrior
A-level: The conservator’s eye—Taddeo Gaddi, Saint Julian
A-level: The conservator’s eye—Taddeo Gaddi, Saint Julian
A-level: The conservator’s eye—Anselm Kiefer, <em>Bohemia Lies by the Sea </em>
A-level: The conservator’s eye—Anselm Kiefer, Bohemia Lies by the Sea
A-level: Carving Marble with Traditional Tools
A-level: Carving Marble with Traditional Tools
A-level: Adriaen de Vries’s bronze casting technique: direct lost-wax method
A-level: Adriaen de Vries’s bronze casting technique: direct lost-wax method
A-level: Bronze Casting Using the “Lost Wax” Technique
A-level: Bronze Casting Using the “Lost Wax” Technique
A-level: Oil paint
A-level: Oil paint
A-level: Gold-ground panel painting
A-level: Gold-ground panel painting
A-level: Tempera paint
A-level: Tempera paint
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