Romanticism in the United States took up themes of nature and spirituality in uniquely American ways.
c. 1800–1865 C.E.
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Science, religion, and politics, Church’s Cotopaxi
The natural world and political metaphor, Church's Cotopaxi
Peter Frederick Rothermel, De Soto Raising the Cross on the Banks of the Mississippi
Picturing Spanish conquest in an era of U.S. expansion
Envisioning Manifest Destiny
Daniel Boone, Moses, and the western frontier: creating an American mythology
Thomas Cole, The Architect’s Dream
Cole, the great American landscape painter looks across the vast history of Western architecture
Albert Bierstadt, Hetch Hetchy Valley, California
Captured here in paint, this grand Californian landscape would soon disappear under water.
Thomas Cole, The Hunter’s Return
Cole feared for the American landscape as his country expanded westward.
Fitz Henry Lane, Owl’s Head, Penobscot Bay, Maine
“Luminism” sounds like a subject at Hogwarts, but it actually describes landscape paintings like this one.
Thomas Cole, Expulsion from the Garden of Eden
Adam and Eve have just been evicted from Paradise, and the grass was definitely greener on the other side.
Washington Allston, Elijah in the Desert
Can we call a landscape painting “emo”? This brooding, melancholy canvas definitely tempts us to.
Frederic Edwin Church, Niagara and Heart of the Andes
Church was the child star of nineteenth-century landscape painting; these astonishing canvases show us why.
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