Curated Guides > Thematic Series > Latinx Futures
Latinx Futures
Smarthistory’s Latinx Futures project was made possible thanks to support from the Terra Foundation for American Art. Special thanks to editors Dr. Tatiana Reinoza and Dr. Colin Gunckel.
Raphael Montañez Ortiz, <em>Duncan Terrace Piano Destruction Concert: The Landesmans’ Homage to “Spring can really hang you up the most,”</em> 1966, wood, metal, paint, felt, textile, and nails, 142 x 124.5 x 28 cm (Tate Britain, London; photo © Tate) © Raphael Montañez Ortiz
- Raphael Montañez Ortiz, Duncan Terrace Piano Destruction Concert: The Landesmans’ Homage to “Spring can really hang you up the most”
- Antonio Bernal, The Del Rey Mural
- Malaquías Montoya, Vote Register
- Harry Gamboa Jr., À la Mode, from the Asco era
- Celia Álvarez Muñoz, Which Came First? Enlightenment #4
- Carmen Lomas Garza, Tamalada
- Freddy Rodríguez, Paradise for a Tourist Brochure
- Muriel Hasbun, Todos los santos (Volcán de Izalco, amén)
- Christina Fernandez, María’s Great Expedition
- María Magdalena Campos-Pons, Spoken Softly with Mama
- Pocho Research Society (Sandra de la Loza), Echoes en el Echo: A Series of Interventions about Memory, Place, and Gentrification
- Maria Gaspar, 96 Acres Project
- Luis Tapia, Corazón Negro
- rafa esparza, Border Wash—after Leonard Nadel, 1956
- Linda Vallejo, The Brown Dot Project
