Curated Guides > Thematic Series > Latinx Futures
Latinx Futures
Smarthistory’s Latinx Futures project and was made possible thanks to support from the Terra Foundation for American Art.
Raphael Montañez Ortiz, <em>Duncan Terrace Piano Destruction Concert: The Landesmans’ Homage to “Spring can really hang you up the most,”</em> 1966, wood, metal, paint, felt, textile, and nails, 142 x 124.5 x 28 cm (Tate Britain, London; photo © Tate) © Raphael Montañez Ortiz
- Raphael Montañez Ortiz, Duncan Terrace Piano Destruction Concert: The Landesmans’ Homage to “Spring can really hang you up the most”
- Antonio Bernal, The Del Rey Mural
- Malaquías Montoya, Vote Register
- Harry Gamboa Jr., À la Mode, from the Asco era
- Celia Álvarez Muñoz, Which Came First? Enlightenment #4
- Carmen Lomas Garza, Tamalada
- Freddy Rodríguez, Paradise for a Tourist Brochure
- Muriel Hasbun, Todos los santos (Volcán de Izalco, amén)
- Christina Fernandez, María’s Great Expedition
- María Magdalena Campos-Pons, Spoken Softly with Mama
- Pocho Research Society (Sandra de la Loza), Echoes en el Echo: A Series of Interventions about Memory, Place, and Gentrification
- Maria Gaspar, 96 Acres Project
- Luis Tapia, Corazón Negro
- rafa esparza, Border Wash—after Leonard Nadel, 1956
- Linda Vallejo, The Brown Dot Project
