Frans Post, Landscape with Ruins in Olinda, 1663, oil on panel, 22.9 x 29.2 cm (Museum of Fine Arts, Boston)
Additional resources
This work at the Museum of Fine Arts, Boston
The Center for Netherlandish Art at the MFA Boston
Hochstrasser, “Visual Impact: the long legacy of artists of Dutch Brazil,” Legacy of Dutch Brazil, ed. Michiel van Groesen (2014), pp. 248–283.
Quentin Buvelot, “Frans Post (1612–1680): Catalogue Raisonné by Pedro & Bia Corrêa do Lago,” Burlington Magazine 150 (2008), pp. 116–117, note 2.
Frederick J. Duparc, “Dutch and Flemish Masterworks: From the Rose-Marie and Eijk van Otterloo,” Collection: A Supplement to Golden (Boston: 2020), pp. 78–82, cat. no. 15.
Pedro & Bia Corrêa do Lago, “Frans Post, 1612–1680: catalogue raisonné,” (Milan: 2007).
“Bewogen Beeld: op zoek naar Johan Maurits (Shifting image: in search of Johan Maurits),” The Hague,
(Mauritshuis: Waanders Publishers, 2019).
Carolina Monteiro and Erik Odegard, “Johan Maurits van Nassau-Siegen and his Role in Slavery, Slave
trade, and Slave Smuggling in Dutch Brazil,” Journal of Early American History, 2020.
