Beginner's guide

videos + essays

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Jane Alexander, <em>Butcher Boys</em>
Jane Alexander, Butcher Boys

To acknowledge the truly violent nature of humankind is to implicate one’s self in a relationship to such atrocities.

Tracey Emin, <em>My Bed</em>
Tracey Emin, My Bed

In the 1990s, as artists searched for new alternatives, many considered conceptual art of the 1970s an unfinished project.

Marc Quinn, <em>Self</em>
Marc Quinn, Self

This work is an example of provocation with a purpose.

Barbara Kruger, <em>Untitled (Your gaze hits the side of my face)</em>
Barbara Kruger, Untitled (Your gaze hits the side of my face)

Kruger’s art is characterized by a visual wit sharpened in the trenches of the advertising world.

Jamie Wyeth, <em>Kalounna in Frogtown</em>
Jamie Wyeth, Kalounna in Frogtown

The Wyeths have a long history of painting the American story.

Turning Uncle Tom’s Cabin upside down, Alison Saar’s Topsy
Turning Uncle Tom’s Cabin upside down, Alison Saar’s Topsy

Jason and the Golden Fleece and the American anti-Slavery novel, Uncle Tom's Cabin combine to upend our own contemporary myths

Carrie Mae Weems, <em>Untitled (Woman Feeding Bird)</em>, from <em>The Kitchen Table Series</em>
Carrie Mae Weems, Untitled (Woman Feeding Bird), from The Kitchen Table Series

Weems sets her series around the kitchen table, a metaphor for the intimate spaces of home.

Marina Abramović, <em>The Artist is Present</em>
Marina Abramović, The Artist is Present

Is staring into the eyes of one of the world’s most renowned performance artists scary? Transcendent? Boring?

Lucian Freud, <em>Standing by the Rags</em>
Lucian Freud, Standing by the Rags

Freud’s nude isn’t the idealized, horizontal beauty of previous centuries, but a forthright, vertical one.

Yinka Shonibare, <em>The Swing (After Fragonard)</em>
Yinka Shonibare, The Swing (After Fragonard)

What might Shonibare wish to communicate by bringing together these “African” textiles with Fragonard’s Rococo images?

Marlene Dumas, <em>Models</em>
Marlene Dumas, Models

Dumas paints from photographs, and deliberately makes her pictures strange, unsettling, and ugly.

Wangechi Mutu, <em>Preying Mantra</em>
Wangechi Mutu, Preying Mantra

Mutu uses collage as a medium for exploring being African and female.

Selected Contributors