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Creating + conserving

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The conservator's eye
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The conservator's eye: Taddeo Gaddi, Saint Julian
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About color
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Making Purple: The Science of Art
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How to paint like Willem de Kooning
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Before photography (1 of 12)
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Van Dyck's Self-portrait: The Frame and its Conservation
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Finding the Original Context of Rosselli's Kneeling Angel
Examining a Panel Painting
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Inpainting a Van Dyck
IMA Conservation: Pigment Analysis with XRF Spectrometry
What X-Rays of a Vivarini Reveal About Its Past
Examining a Veronese with XRF Spectrometry
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Preserving Art: Tara Donovan's Untitled (Plastic Cups)
Tara Donovan's Untitled (Mylar)
Artist Max Dean on the conservation of As Yet Untitled
Talking Chaos with Roland Wetzel
A Conversation with Robert Irwin on Light and Space III
IMA Conservation: The Lightbulbs in Light and Space III
Evidence of Lost Wax Casting
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IMA Conservation: Preparing a Mola Garment for Display
IMA Conservation: Preparing Mola Textiles for Display
Frames
Examining a 17th-century frame
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Modern Architecture as Heritage
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Moving Responsibilities: The Care of Performance-Based Sculpture
The Invention of Glory: A Symposium
The Plus/Minus Dilemma: The Way Forward in Environmental Guidelines

Inpainting a Van Dyck

by Indianapolis Museum of Art

David Miller, Chief Conservator and Senior Conservator of Paintings, Conservation and Conservation Science Departments,Indianapolis Museum of Art

Cite this page as: Indianapolis Museum of Art, "Inpainting a Van Dyck," in Smarthistory, May 9, 2017, accessed November 28, 2020, https://smarthistory.org/inpainting-a-van-dyck/.

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