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Creating + conserving

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The conservator's eye
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Making Purple: The Science of Art
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Before photography (1 of 12)
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Conservation Notes: Tom Thomson's The West Wind
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Finding the Original Context of Rosselli's Kneeling Angel
Examining a Panel Painting
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Inpainting a Van Dyck
IMA Conservation: Pigment Analysis with XRF Spectrometry
What X-Rays of a Vivarini Reveal About Its Past
Examining a Veronese with XRF Spectrometry
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Preserving Art: Tara Donovan's Untitled (Plastic Cups)
Tara Donovan's Untitled (Mylar)
Artist Max Dean on the conservation of As Yet Untitled
Talking Chaos with Roland Wetzel
A Conversation with Robert Irwin on Light and Space III
IMA Conservation: The Lightbulbs in Light and Space III
Evidence of Lost Wax Casting
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IMA Conservation: Preparing a Mola Garment for Display
IMA Conservation: Preparing Mola Textiles for Display
Frames
Examining a 17th-century frame
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Modern Architecture as Heritage
Talks + symposia
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Conservation Data and Digital Asset Management
Moving Responsibilities: The Care of Performance-Based Sculpture
The Invention of Glory: A Symposium
The Plus/Minus Dilemma: The Way Forward in Environmental Guidelines

Inpainting a Van Dyck

by Indianapolis Museum of Art

David Miller, Chief Conservator and Senior Conservator of Paintings, Conservation and Conservation Science Departments,Indianapolis Museum of Art

Cite this page as: Indianapolis Museum of Art, "Inpainting a Van Dyck," in Smarthistory, May 9, 2017, accessed September 21, 2020, https://smarthistory.org/inpainting-a-van-dyck/.

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Editors pick

Did you know that just one painting...

Virgin of the Navigators

... can (begin to) tell the stories of colonization, evangelization, and slavery in the Americas?

Art history is better history!

The Virgin of the Navigators
Part of our "Expanding the Renaissance" Initiative Close

At Smarthistory we believe art has the power to transform lives and to build understanding across cultures. We believe that the brilliant histories of art belong to everyone, no matter their background. Smarthistory’s free, award-winning digital content unlocks the expertise of hundreds of leading scholars, making the history of art accessible and engaging to more people, in more places, than any other provider.

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