Michelangelo’s most well-known works exist on a colossal scale, from his formidable statue of David to the High Renaissance frescoes of the Sistine Chapel. Yet, his art could also be tender and lyrical, dwelling upon the inherent tensions of the human condition. Art Historian Alison Cole examines one such example, the Taddei Tondo (ca.1504-1505) – the only marble sculpture by Michelangelo in a British collection. Cole provides a rich insight into the artist’s life, influences and unique approach to sculpture.