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ARCHES (at risk cultural heritage education series)

A beginner's guide
ARCHES, an introduction
What is cultural heritage?
Cultural heritage “in crisis”
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Whose art? Museums and repatriation
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From tomb to museum: the story of the Sarpedon Krater
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Who owns the Parthenon sculptures?
Plunder, war, Napoleon and the Horses of San Marco
Paikea at the American Museum of Natural History
Nazi looting: Egon Schiele's Portrait of Wally
Seizure of Looted Antiquities Illuminates What Museums Want Hidden
Looting, collecting, and exhibiting: the Bubon bronzes
Napoleon's appropriation of Italian cultural treasures
Napoleon's booty — Perugino's (gorgeous) Decemviri Altarpiece
Ruins, reconstruction, and renewal
Destruction, Memory, and Monuments: The Many Lives of the Parthenon
Views of past and present: the Forum Romanum and archaeological context
The Roman Forum: Part 1
The Roman Forum: Part 2
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Rome's layered history — the Castel Sant'Angelo
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Ruin as abattoir, the Colosseum
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Making and Mutilating Manuscripts of the Shahnama
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Iconoclasm in the Netherlands in the Sixteenth Century
Submerged, burned, and scattered: celebrating the destruction of objects in South Asia
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Erasing Art: Rauschenberg's Erased de Kooning drawing
Destruction as Preservation: Ai Weiwei’s Dropping a Han Dynasty Urn
Destruction, looting, and trafficking
Mesa Verde and the preservation of Ancestral Puebloan heritage
A market for looted antiquities
Save culture – end trafficking
Trafficking the past
We will need Monuments Men for as long as ancient sites remain battlefields
What the bulldozers left behind: reclaiming Sicán’s past
Lost History: the terracotta sculpture of Djenné-Djenno
The Looting of Cambodian Antiquities
Sotheby's Returns Looted 10th Century Statue to Cambodia
The Scourge of Looting: Trafficking Antiquities from Temple to Museum
How a famous Greek bronze ended up in the Vatican
Fact and fiction: The explosion of Reims Cathedral during World War I
Documenting and protecting cultural heritage
Diarna: documenting the places of a vanishing Jewish history
A Landmark Decision: Penn Station, Grand Central, and the architectural heritage of NYC
Frameworks for cultural heritage protection: from ancient writing to modern law
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Provenance and the Antiquities Market
A Renaissance masterpiece nearly lost in war: Piero della Francesca, The Resurrection
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Saved by shipwreck, The Antikythera Youth
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When there is no archaeological record: Portrait Bust of a Flavian Woman (Fonseca bust)
Conservation vs. restoration: the Palace at Knossos (Crete)
Cultural heritage endangered round the world
Cultural heritage at risk: Mali
Cultural heritage at risk: Peru
Cultural heritage at risk: Turkey
Cultural heritage at risk: Syria
Cultural heritage at risk: Cambodia
Cultural heritage at risk: United States
Saving Venice
The unintended consequences of UNESCO world heritage listing
What you can do now
What can be done to protect cultural heritage?
Organizations and agencies that work to protect cultural heritage
Backstories: additional endangered objects and sites
ARCHES advisors

Ruin as abattoir, the Colosseum

by Dr. Bernard Frischer and Dr. Steven Zucker

 

Colosseum (Flavian Amphitheater, or Amphitheatrum Flavium), c. 70-80 C.E., Rome, an ARCHES video

Smarthistory images for teaching and learning:
ColosseumColosseumColosseumColosseumColosseumColosseumColosseumColosseumColosseumColosseumColosseumColosseumColosseumColosseum

More Smarthistory images…

Cite this page as: Dr. Bernard Frischer and Dr. Steven Zucker, "Ruin as abattoir, the Colosseum," in Smarthistory, July 19, 2020, accessed January 27, 2021, https://smarthistory.org/ruin-abattoir-the-colosseum/.

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