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Haida crest totem pole
- The Indigenous peoples and nations of southeast Alaska and the coasts of British Columbia and Washington State have long practiced the art of creating and erecting totem poles. The poles are carved from the logs of giant local cedar trees and then painted. Different types of totem poles include clan crest poles, mortuary or memorial poles, potlatch poles, and shame poles (and sometimes these overlap). Each serves a different purpose in the community.
- No matter the type, totem poles convey the history and status of the clans, or matrilineal families, that create them. For the Tlingit, Tsimshian, and Haida, all clans are members of one of a number of moieties, or groups within their community. Each moiety is represented by an animal such as the raven, eagle or wolf, and is indicated by the carving of that animal on a totem pole. Humans, animals, and supernatural beings are also carved on poles as crests; the particular combination of crests on a pole is unique to each clan. Crests reflect the stories of the clan ancestors’ interactions with the beings depicted, and remind family members about their heritage. A clan crest pole, like this one, would have been raised in front of a clan house, visible to anyone passing by the village in a canoe. Clan crests can be included on other types of totem poles as well.
- Totem poles reinforce the importance of oral and visual traditions among the Indigenous peoples and nations of the Pacific Northwest Coast, including the Haida. A good deal of individual clans’ history and broader cultural history was lost when European and Anglo-American newcomers, who began to arrive in the area in the 18th century, brought disease and misconceptions about the practices and traditions of the local Indigenous peoples and nations. Traders and colonizers destroyed or defaced totem poles incorrectly thought to be objects of religious worship.
- In the early 1970s, the combined efforts of Native elders, the Alaska State Museum, the Alaska Native Brotherhood, the Smithsonian Institution, the U.S. Forest Service, and the City of Ketchikan brought surviving 19th-century totem poles to the Totem Heritage Center. The totem poles specifically came from former Tlingit villages on Tongass Island and Village Island and from the Haida village of Old Kasaan on Prince of Wales Island. While traditionally totem poles would be left at the spot where they were originally raised, and allowed to deteriorate so the wood would return to the earth, the poles at the Totem Heritage Center are preserved and used to teach future generations about the cultural practices of their communities.
Learn more about the Totem Heritage Center
Read more about totem poles from The Bill Reid Centre at Simon Fraser University
Learn about the Northwest Coast Village Project
More to think about
Look closely at the carvings of the three animals on this totem pole. What is most striking to you about each representation? What does that detail suggest to you about the importance of this animal?
The notion of a clan crest being a primary means for recording the history and status of a family suggests the importance of both visual culture and oral traditions among the Indigenous nations of the Pacific Northwest Coast. What are the practices in your community or culture for representing, sharing, and preserving one’s heritage? How are they similar and how do they differ from the Native traditions of the Pacific Northwest Coast?