Discover paintings by Rubens, sculpture by Bernini, landscapes by Rosa, and architecture by Borromini. A-Level: Sample set of works for the ... by Smarthistory
What is truth? Bacon argued for experimentation; like him, artisans and alchemists promoted direct observation. A-Level: Francis Bacon and the Scientific Revolution by Dr. Kathryn Wolford
Pluto hoists up Proserpina. She resists, pushing him away. Their desires clash, creating a dynamic composition. A-Level: Gian Lorenzo Bernini, Pluto and Proserpina ... by Dr. Steven Zucker and Dr. Beth Harris
She’s a monster, but in this poignant marble bust, Medusa becomes a victim of her own plight. A-Level: Gian Lorenzo Bernini, Bust of Medusa by Dr. Beth Harris and Dr. Steven Zucker
Skin transforms into bark, limbs sprout branches, and stone softens into flesh. What a perfect subject for Bernini. A-Level: Gian Lorenzo Bernini, Apollo and Daphne by Dr. Beth Harris and Dr. Steven Zucker
Gasp! Stone floats and light pours down from—where, exactly? Bernini creates a theatre for spiritual experience. A-Level: Gian Lorenzo Bernini, Ecstasy of Saint ... by Dr. Beth Harris and Dr. Steven Zucker
Over 60 feet tall, this daunting bronze canopy is part architecture, part sculpture—and part beehive. A-Level: Gian Lorenzo Bernini, Baldacchino, Saint Peter’s by Dr. Beth Harris and Dr. Steven Zucker
Duck! This slingshot may never fire, but Bernini fools us. We can feel David gathering strength to battle Goliath. A-Level: Gian Lorenzo Bernini, David by Dr. Beth Harris and Dr. Steven Zucker
Did St. Peter sit here? Dizzying but unified, light and gold glorify this sacred place. A-Level: Gian Lorenzo Bernini, Cathedra Petri (Chair ... by Dr. Beth Harris and Dr. Steven Zucker
How do you paint your own slave? Painter Julie Mehretu explores Velázquez’s answer to this troubling question. A-Level: Velázquez, Juan de Pareja by The Metropolitan Museum of Art
This puzzling painting about painting is half genre scene, half family portrait. But what’s on the large canvas? A-Level: Diego Velázquez, Las Meninas by Dr. Beth Harris and Dr. Steven Zucker
Don’t strike the messenger! Interrupted at his forge, a horrified Vulcan looks ready to hammer Apollo. A-Level: Velázquez, Vulcan’s Forge by Beth Harris and Steven Zucker
Velázquez lends immediacy and gritty realism to a mythological subject. We are right there, ready to partake. A-Level: Diego Velázquez, Los Borrachos (The Drunks), ... by Dr. Beth Harris and Dr. Steven Zucker
Disorganized and youthful, Dutch troops surrender to the seasoned Spanish army. Count the victors’ spears! A-Level: Diego Velázquez, The Surrender of Breda by Dr. Jimena Berzal de Dios
Combining earthtones with dramatic lighting, Velázquez meticulously renders a waterseller’s world. A-Level: Diego Velázquez, The Waterseller of Seville by Olivia Nicole Miller
Was it a diplomatic gift? Is it even a Rubens? Many questions surround this work; technical analysis can help. A-Level: Rubens, Venus, Mars and Cupid by Helen Hillyard
The myth is ancient, but these figures couldn’t be closer. Rubens’s virtuoso brushwork and color are on display. A-Level: Peter Paul Rubens, The Rape of ... by Dr. Beth Harris and Dr. Steven Zucker
Be still, my heart! A portrait of Marie attracts the king’s gaze, yet our eyes zig-zag around this busy canvas. A-Level: Peter Paul Rubens, The Presentation of ... by Dr. Esperança Camara
Heave-ho! Rubens’s muscle-bound figures struggle to lift the cross and seem ready to burst through the painting. A-Level: Peter Paul Rubens, Elevation of the ... by Dr. Shannon Pritchard
In Rubens’s hands, leaving a ship becomes a triumphal event—complete with a trumpeting angel. A-Level: Peter Paul Rubens, Arrival (or Disembarkation) ... by Dr. Beth Harris and Dr. Steven Zucker