By observing nature more closely, absorbing new scientific theories and spiritual investigations, many modern artists sought higher truths. A-level: Modern art and reality by Dr. Charles Cramer and Dr. Kim Grant
Created in Europe between 1900-39, this set of works includes paintings of urban life and modern factory buildings. A-Level: Sample set of works for Modernism ... by Smarthistory
The architectural forms of a dream are constructed as a stage set, ready to be taken apart and reconfigured. A-Level: Alberto Giacometti, The Palace at 4 ... by Dr. Beth Harris and Dr. Steven Zucker
Brancusi retains the materiality of the stone, honoring it rather than denying it as past artists had done. A-Level: Constantin Brancusi, The Kiss by Dr. Beth Harris and Dr. Steven Zucker
When this traveled from France to the U.S. for an exhibition, customs agents couldn’t believe it was a work of art. A-Level: Constantin Brancusi, Bird in Space by Dr. Beth Harris and Dr. Steven Zucker
Kirchner is rendered unable to create or destroy in this nightmarish wartime painting. A-Level: Ernst Ludwig Kirchner, Self-Portrait As a ... by Shawn Roggenkamp
Kirchner defines his city with only the figures: there is not a building in view. A-Level: Ernst Ludwig Kirchner, Street, Dresden by Dr. Juliana Kreinik, Dr. Steven Zucker and Dr. Beth Harris
Kirchner’s claustrophobic city scene reflects on a culture where everything is for sale. A-Level: Ernst Ludwig Kirchner, Street, Berlin by The Museum of Modern Art
Not a term chosen by the artists, it describes art that emphasized the emotional impact over descriptive accuracy. A-Level: Expressionism, an introduction by Shawn Roggenkamp
An homage to Cézanne, but also a reaction to having seen Picasso’s Les Demoiselles d’Avignon, Braque is exploring. A-Level: Georges Braque, Le Viaduc à L’Estaque, ... by Dr. Beth Harris and Dr. Steven Zucker
What does this painting by Braque have to do with a cup of coffee? A-Level: Georges Braque, The Portuguese by Dr. Beth Harris and Dr. Steven Zucker
Though its languid poses reference Titian, this was regarded as the most radical painting of its day. A-Level: Henri Matisse, Bonheur de Vivre by Dr. Beth Harris and Dr. Steven Zucker
You know that painting from third grade your mom won’t take off the fridge? This is different. Mostly. A-Level: Henri Matisse, Dance I by Dr. Beth Harris and Dr. Steven Zucker
To say that Matisse “had a thing for goldfish” would be kind of an understatement. A-Level: Henri Matisse, Goldfish by Charlotte Wilkins
Matisse borrows brushwork technique from his pal Signac—but don’t call him a Pointillist just yet. A-Level: Henri Matisse, Luxe, calme et volupté by Dr. Beth Harris and Dr. Steven Zucker
Here, Matisse commits the cardinal parenting sin of conflating his own childhood experiences with those of his son. A-Level: Henri Matisse, The Piano Lesson by Dr. Steven Zucker and Dr. Beth Harris
In this painting of the artist’s studio, it’s Matisse vs. the illusion of space in a bloody battle royale. A-Level: Henri Matisse, The Red Studio by Dr. Beth Harris and Dr. Steven Zucker