Like a disaster movie, Turner’s painting transforms a natural catastrophe — with death a near-certainty — into entertainment. A-level: J.M.W. Turner, Snow Storm by Matthew Wilson
Sheltered by the sea, a study in place and feeling A-level: Sheltered by the sea, Barbara Hepworth’s ... by Dr. Beth Harris and Dr. Steven Zucker
In the suburbs, Parisians escaped the pressures of modern life. Monet painted their sun-drenched pleasures. A-Level: Monet, The Basin at Argenteuil by Dr. Steven Zucker and Dr. Beth Harris
Made for a sultan, this unusual automaton emblematizes the fierce hostility between British and Indian rulers. A-Level: Tipu’s Tiger by Dr. Jocelyn Anderson
Artists throughout history have engaged with the natural world, whether capturing coastlines or planting landfills. A-Level: Sample set of works for Nature by Smarthistory
This temple remains the largest religious monument in the world. Once a Hindu shrine, it is now used by Buddhists. A-level: Angkor Wat by Dr. Melody Rod-ari
Which of these paintings do you like better? Watch this video before you decide. A-level: Art and Context—Monet’s Cliff Walk at ... by Sal Khan, Dr. Steven Zucker and Dr. Beth Harris
With a complex, multi-figure composition, this monumental sculpture captures a moment from ancient Roman history. A-level: Giambologna, Abduction of a Sabine Woman by Dr. Shannon Pritchard
Confused by this painting? Imagine lying on the grass under a tree and looking up. A-level: Georgia O’Keeffe, The Lawrence Tree by Dr. Beth Harris and Dr. Steven Zucker
Over 100 million porcelain seeds filled the Tate’s Turbine Hall in a critique of conformity and censorship. A-level: Ai Weiwei: Sunflower Seeds by Tate
Over 100 million porcelain seeds filled the Tate’s Turbine Hall in a critique of conformity and censorship. A-level: Ai Weiwei, Kui Hua Zi (Sunflower ... by Megan Lorraine Debin
Snakes shedding their skin was a powerful metaphor for the Aztecs and is reflected in their pantheon of gods. A-level: Double-headed serpent by The British Museum
Perhaps the most iconic image in Japanese art, this woodblock print inspired many Western artists—including Monet. A-level: Hokusai, Under the Wave off Kanagawa ... by Leila Anne Harris
Wright pushed the limits of engineering with poured concrete, and relied on a contractor who build parking garages. A-level: Frank Lloyd Wright, Solomon R. Guggenheim ... by Dr. Matthew A. Postal and Dr. Steven Zucker
This church contains traditional Gothic elements, but looks like nothing you’ve ever seen. A-level: Antoni Gaudí, Sagrada Família by Dr. Beth Harris and Dr. Steven Zucker
A prince-regent with a private architect builds a fantasy seaside home mixing all the metaphors of empire. A-level: John Nash, Royal Pavilion, Brighton by Michael John Partington
Monet’s painting technique is perfectly suited for depicting this windy seaside day on the English Channel. A-level: Claude Monet, Cliff Walk at Pourville by Dr. Steven Zucker and Dr. Beth Harris
Monet paints the surface of the water itself, refusing the viewer the anchoring presence of a horizon or shoreline. A-level: Claude Monet, Les Nymphéas (The Water ... by Dr. Beth Harris and Dr. Steven Zucker
Obsessed with this view, Monet paid the owner of the trees not to cut them down until he finished his paintings. A-level: Claude Monet, Poplars by Dr. Steven Zucker and Dr. Beth Harris
Rebelling against tradition, the Impressionists exhibited their own “unfinished” works to a skeptical audience. A-level: Impressionism, an introduction by Dr. Beth Gersh-Nesic