Expression in art history is generally associated with non-rational states of mind. A-level: Expression and modern art by Dr. Charles Cramer and Dr. Kim Grant
[…] A-level: The conservator’s eye—Taddeo Gaddi, Saint Julian by Corey D'Augustine and Dr. Steven Zucker
[…] A-level: The conservator’s eye—Anselm Kiefer, Bohemia Lies ... by Corey D'Augustine and Dr. Steven Zucker
Respond to contemporary culture, or reclaim the past? Each artist decides how to approach the human form. A-level: A brief history of the representation ... by Dr. Steven Zucker and Dr. Beth Harris
How do you tell a story in a picture? How do you create depth on a flat surface? What role does color play? A-level: Looking at paintings by The J. Paul Getty Museum
No Photoshop! Just a vanishing point, a horizon line, and some orthogonals—that’s the magic formula for reality. A-level: Linear perspective explained by Dr. Steven Zucker and Dr. Beth Harris
Renaissance artists relied upon this strategy to render the natural world. Get a tutorial at the School of Athens A-level: Foreshortening explained by Dr. Beth Harris and Dr. Steven Zucker
This technique captures transitions from light to dark. As Titian knew, it creates the illusion of volume and mass. A-level: Chiaroscuro explained by Dr. Beth Harris and Dr. Steven Zucker