City-states vied for the best artists. After Ghiberti dragged his feet, Siena invited Donatello to finish the job. Donatello, Feast of Herod by Dr. Steven Zucker and Dr. Beth Harris
His nudity references classical antiquity, but David embodies the ideals and concerns of 15th-century Florence. Donatello, David by Dr. Heather Graham
Brunelleschi’s panel may be scarier, but Ghiberti’s is more emotionally complex. In both, an angel saves the day. Filippo Brunelleschi and Lorenzo Ghiberti, Sacrifice of ... by Dr. Steven Zucker and Dr. Beth Harris
Where’s Goliath? David scans for his enemy. This colossal sculpture is itself a giant of High Renaissance art. Michelangelo, David by Dr. Steven Zucker and Dr. Beth Harris
A soldier saint in Renaissance Florence. Donatello, Saint George by Dr. Beth Harris and Dr. Steven Zucker
When the citizens of Florence looked up at St. Mark, they saw a mirror of their own dignity—and of ancient nobility. Donatello, St. Mark by Dr. David Boffa
These gilded bronze doors are a masterpiece of clarity and illusionism. Space coheres, and figures move with ease. Lorenzo Ghiberti, Gates of Paradise, East Doors ... by Dr. Steven Zucker and Dr. Beth Harris
Capturing figures in thought, stonemasons understood what it meant to be human—just like the ancient Romans. Nanni di Banco, Four Crowned Saints by Dr. Steven Zucker and Dr. Beth Harris
This difficult sculpture is an exercise in contrasts: frailty and power, pure spirituality and anatomical accuracy. Donatello, Mary Magdalene by Dr. Steven Zucker and Dr. Beth Harris
This marble relief is as flat as Tuscan bread, yet its atmospheric space recedes into depth. Extraordinary. Donatello, Madonna of the Clouds by Dr. Steven Zucker and Dr. Beth Harris
From granary to—church? Once open to the city, this building and its niches blend the spiritual with the everyday. Orsanmichele and Donatello’s Saint Mark, Florence by Dr. Steven Zucker and Dr. Beth Harris
Can stone be that soft? Contrast defines this sculpture. Mary is sweet but strong, and Christ, real yet ideal. Michelangelo, Pietà by Dr. Beth Harris and Dr. Steven Zucker