Audrey Hepburn emphatically reproduced by Avedon. Richard Avedon, Audrey Hepburn, New York, January ... by Dr. Gretchen Gasterland-Gustafsson
"He allows us to see just a few things, and the narratives that we're able to build as a result is what really makes this work so important." Rashid Johnson on Robert Frank’s The Americans by The Metropolitan Museum of Art
Contemporary artist LaToya Ruby Frazier discusses the dignity and complexity given a Harlem gang leader in this photographic portrait LaToya Ruby Frazier on Gordon Parks’s Red ... by The Metropolitan Museum of Art
The episode reveals how such approaches by the press can override and contaminate the subjects portrayed. How Photographs of Poverty in the Americas ... by Sérgio Burgi
Photographer Richard Mirach recounts his work, from his early political aspirations in the 1970s to his current series about left-behind artifacts along the U.S.-Mexico border wall. Richard Misrach’s early work and Border Cantos by Art21
Photographer and filmmaker Robert Frank recalls his experience as a young artist and discusses his seminal book The Americans (1958) An interview with Robert Frank by SFMOMA
New Topographics reinvented the landscape, making the photograph an expression of responsibility. New Topographics by Emilia Mickevicius
Go backstage at the 1960 Democratic National Convention with photographer Gary Winogrand. Garry Winogrand, Democratic National Convention, Los Angeles, ... by Dr. Robert Cozzolino, Minneapolis Institute of Art and Dr. Steven Zucker
Gordon Parks and the writer Ralph Ellison collaborated to show that Harlem is everywhere. Gordon Parks, Off on My Own (Harlem, ... by Michal Raz-Russo, Art Institute of Chicago and Dr. Steven Zucker