Ufer, a German immigrant to the United States, seeks an authentic American art in New Mexico on the heels of World War I and the influenza epidemic Walter Ufer, Hunger by Laura F. Fry and Dr. Lauren Kilroy-Ewbank
Nampeyo found inspiration from the old to create a pottery style that was entirely new and highly sought after. Nampeyo (Hopi-Tewa), polychrome jar by Dr. David W. Penney, National Museum of the American Indian, Smithsonian Institution and Dr. Steven Zucker
Faced with mass production, Maria Martinez continued hand-making pottery as art rather than utilitarian vessels. Puebloan: Maria Martinez, Black-on-black ceramic vessel by Dr. Suzanne Newman Fricke
Martinez’s distinctive style developed from studying Southwestern pottery and Modernist abstraction. Julian Martinez, Buffalo Dancers by Dr. Suzanne Newman Fricke
Pottery Makers is one of many that the artist Awa Tsireh (Cattail Bird, Spanish name Alfonso Roybal) created about Pueblo cultures Awa Tsireh’s Pottery Makers by Ryuichi Nakayama
The performance of Indigenous identity through the lens of early 20th-century Modernism. Robert Henri, Tom Po Qui (Water of ... by Dr. Elizabeth S. Hawley
The Pueblo Modernism of Velino Shije Herrera. Velino Shije Herrera (Ma Pe Wi), Design, ... by Dr. Adriana Greci Green and Dr. Beth Harris
The Southwest became a hub for artists seeking “quintessentially American” subjects beyond New York and Chicago. The lure of the American Southwest: E. ... by Dr. Jennifer Henneman, Denver Art Museum and Dr. Beth Harris