The story of Ernest Cole, a black photographer in South Africa during apartheid The story of Ernest Cole, a black ... by SFMOMA
Made four years before the end of the apartheid system, Williamson has repurposed a passbook carried by a Black South African for three decades Sue Williamson, For Thirty Years Next to ... by The Museum of Modern Art
To acknowledge the truly violent nature of humankind is to implicate one’s self in a relationship to such atrocities. Jane Alexander, Butcher Boys by Dr. Amy Nygaard Mickelson
On a beach in a suit, a discordant image, like South Africa, where it was made. William Kentridge, drawing from Tide Table (Soho ... by Josh R. Rose
Dumas paints from photographs, and deliberately makes her pictures strange, unsettling, and ugly. Marlene Dumas, Models by Dr. Thomas Folland