Bellini zooms in on three figures—the Virgin Mary, Christ, and John—to create a sense of our being with them after Christ's death Giovanni Bellini, Brera Pietà by Katerina Harris
Gentile Bellini's portrait of Mehmed II has been re-interpreted and understood many times since it was produced nearly 550 years ago. Gentile Bellini, Portrait of Sultan Mehmed II by Dr. Elizabeth Rodini
This canvas was rolled, varnished, reworked, and revised again. A classical scene, it once hung in a study. Giovanni Bellini and Titian,The Feast of the ... by Dr. Susan Nalezyty
Bellini opens up this painting’s space, but holds the viewer at bay. The mood is calm, solemn, and contemplative. Giovanni Bellini, San Zaccaria Altarpiece by Dr. Sally Hickson
With its decorative marble and golden light, this space looks a lot like San Marco. Shall we? St. Francis beckons. Giovanni Bellini, San Giobbe Altarpiece by Dr. Beth Harris and Dr. Steven Zucker
Reinterpreting a familiar narrative, Bellini imbues the natural world with symbolism. Giovanni Bellini, St. Francis in the Desert ... by Dr. Beth Harris and Dr. Steven Zucker