Weems confronts identity, family, and the myth of home in this iconic series of photographs.
The body
Does a statue need to include arms or a head to be considered complete? Rodin clearly doesn’t think so.
Auguste Rodin, The Walking Man
[…]
Marlene Dumas, Models
What detail! Dürer studied the human body obsessively and spent four years working on this print. It shows.
Albrecht Dürer, Adam and Eve
This bronze god sank to the bottom of the sea where he sat for millennia, but who is he and what can he tell us?
Artemision Zeus or Poseidon
“Stay and mourn at the monument of dead Kroisos, who raging Ares slew as he fought in the front ranks.”
Anavysos Kouros
Compare this off-balance image of the goddess of victory to earlier classical sculpture.
Nike Adjusting Her Sandal, Temple of Athena ...
Following war with the Persians, this highly naturalistic sculpture was buried out of respect.
Kritios Boy
Mantegna was fascinated by perspective. His radical foreshortening and realism focus attention on Christ’s wounds.
Andrea Mantegna, Dead Christ
The myth is ancient, but these figures couldn’t be closer. Rubens’s virtuoso brushwork and color are on display.
Peter Paul Rubens, The Rape of the ...
Part man, part goat, this companion of the god of wine relaxes after a night of drinking.
Barberini Faun
Look closely to see bloody wounds and a lifetime of scars on this defeated athlete.
Apollonius, Boxer at Rest (or The Seated ...
One of the leaders of Impressionism turns his back on the movement and attempts to reclaim the classical nude.
Auguste Renoir, The Large Bathers
The female nude emerged as a genre in the Renaissance. With her soft, sensual flesh, this Venus is a prime example.
Titian, Venus of Urbino
[…]
Cindy Sherman, Untitled Film Still #21
The body’s expressive contortions reflect sculptural tradition, but Schiele used it to express the interior self.
Egon Schiele, Seated Male Nude (Self-Portrait)
“Wearing” would be much too strong a word for this woman’s relationship to her shirt.
Amedeo Modigliani, Young Woman in a Shirt
Freud’s nude isn’t the idealized, horizontal beauty of previous centuries, but a forthright, vertical one.
Lucian Freud, Standing by the Rags
The name of this prehistoric sculpture refers to a Roman goddess—but what did she originally represent?
Venus of Willendorf
Bound to rock, these figures struggle to escape their marble prisons. One closes his eyes; the other looks to God.