Find out what qualities of watercolor made it the medium of choice for many Renaissance illuminated manuscripts, portrait miniatures and colored drawings Renaissance Watercolours: materials and techniques by Victoria and Albert Museum, London
Before conducting a treatment on these large prints, conservators weighed the long-term risks and rewards. Science and Paper: Conserving a Drypoint by ... by National Gallery of Art, Washington D.C.
Matisse lived with his cut-out pool until his death. See how its conservators are preserving it for future viewers. Henri Matisse: Conserving The Swimming Pool by The Museum of Modern Art
Old master drawings are particularly vulnerable since they are on paper and hundreds of years old. Conserving Old Master Drawings by The J. Paul Getty Museum
These charred wood pieces produce a range of tones. Easily reworked, they’re also easily lost without a fixative. Drawing with Charcoal: Historical Techniques of 19th-Century ... by The J. Paul Getty Museum
From scraping skin and cutting quills to painting and bookbinding, making a manuscript is a long, complex process. Making manuscripts by The J. Paul Getty Museum