Rothfuss, an important voice in Latin American modernism, rejects recognizable forms by breaking the frame Rhod Rothfuss, Yellow Quadrangle by Dr. Lauren Kilroy-Ewbank and Dr. Beth Harris
A house, a boat, an arrow, a clock—Torres-García attempts to humanize modern art with universal symbols Joaquín Torres-García, Composition by Dr. Lauren Kilroy-Ewbank and Dr. Steven Zucker
Latin American geometric abstraction united international principles of modernist abstraction with local cultural traditions, and led to more participatory forms of art. Geometric Abstraction in South America, an introduction by Dr. Gillian Sneed
Described by Clark as a “non object,” Bicho can take many shapes, and is manipulated by the viewer. Lygia Clark, Bicho by Dr. Maya Jiménez
Torres-García upended traditional hierarchical structures by defining the art of South America on its own terms. Joaquín Torres-García, Inverted America by Dr. Maya Jiménez