This sculpture, installed on the Yale campus during Vietnam War protests, was never meant to be permanent. Claes Oldenburg, Lipstick (Ascending) on Caterpillar Tracks by Dr. Mya Dosch
These metal balls draw attention to the economic system embedded in art, and the vanity of its viewers. Yayoi Kusama, Narcissus Garden by Danielle Shang
The Narmer Palette is so valuable that it has never been allowed to leave Egypt. Palette of King Narmer by Dr. Amy Calvert