Severini and Boccioni use brilliant colors, abstraction, fragmentation and repetition of forms to create a vibrant whirling energy. Gino Severini, Dynamic Hieroglyph of the Bal ... by Dr. Charles Cramer and Dr. Kim Grant
The Futurists called for the destruction of museums, libraries, and cultural monuments and glorified modern technology and the speed of automobiles, trains, and airplanes. Umberto Boccioni and the Futurist City by Dr. Charles Cramer and Dr. Kim Grant
Words, sounds, images, shapes, and colors were all used to convey the intensity of experience and bring the viewer into the heart of the action. Futurist Free Word Painting by Dr. Charles Cramer and Dr. Kim Grant
Rejecting traditional subject matter, Balla paints an object that is forthrightly modern and technological. Giacomo Balla, Street Light by Dr. Jennifer Bethke
The artist completed this sculpture during World War I, shortly before he died. Raymond Duchamp-Villon, Horse by Dr. Steven Zucker and Dr. Beth Harris
Ready to break with Classical and Renaissance styles, Boccioni sculpted a future-man: muscular, dynamic, driven. Umberto Boccioni, Unique Forms of Continuity in ... by Dr. Rosalind McKever
A visit to Paris, after preparing a study for this painting, changed Carrà’s whole approach for the final canvas. Carlo Carrà, Funeral of the Anarchist Galli by Dr. Rosalind McKever
This group of writers and artists celebrated industrialization, which they hoped would energize their native Italy. Italian Futurism: An Introduction by Emily Casden