Gauguin and Laval's journey to Martinique is a lesser-known chapter in the history of nineteenth-century French painting. Gauguin and Laval in Martinique by Remi Poindexter
These self-portraits were swapped like friendship bracelets among Gauguin, Bernard, and their buddy Van Gogh. Gauguin, Self-Portrait with Portrait of Émile Bernard ... by Dr. Beth Harris and Dr. Steven Zucker
Gauguin contemplates modern culture’s distance from spirituality in this vivid, evocative canvas. Paul Gauguin, Vision after the Sermon (or Jacob ... by Dr. Steven Zucker and Dr. Beth Harris
Cropped figures, vivid hues, and unnatural light turn a humdrum pastoral scene into an act of aesthetic rebellion. Paul Gauguin, The Red Cow by Dr. Steven Zucker and Dr. Beth Harris
Gauguin’s nude is suspended between dreams and reality— just like his imperialistic vision of Tahiti. Paul Gauguin, Nevermore by Rachel Ropeik, Dr. Beth Harris and Dr. Steven Zucker
Gauguin took every opportunity to describe this enigmatic painting with melodramatic flourish. Paul Gauguin, Where do we come from? ... by Dr. Noelle Paulson
Gauguin’s ceramic Goddess of Death survives to this day thanks to the negligence of his flaky friend. Paul Gauguin, Oviri by Ben Pollitt
Featuring a frightened, nude fourteen-year-old, this painting shows the dark side of Gauguin’s Tahitian fixation. Paul Gauguin, Spirit of the Dead Watching by Ben Pollitt