The Virgin Mary is the portal to the divine in this Gothic shrine Hiding the divine in a medieval Madonna: ... by Dr. Beth Harris and Dr. Steven Zucker
A comparison of two Italian medieval crosses shows the transformation of Christ from transcendent to human. The Crucifixion, c. 1200 (from Christus triumphans ... by Dr. Beth Harris and Dr. Steven Zucker
Set against gleaming gold, Mary and Christ sit on an intricately carved throne studded with gems. Cimabue, Virgin and Child Enthroned, and Prophets ... by Dr. Holly Flora
Nearly everything in medieval and Renaissance Venice was stolen or imported—and the Venetians advertised that on the facade of the Cathedral. Venice’s San Marco, a mosaic of spiritual ... by Dr. Elizabeth Rodini and Dr. Steven Zucker
In the “Old New Synagogue,” desks surround a Torah plaform. Text outweighs image—only plants ornament the space. Altneushul, Prague by Dr. Carol Herselle Krinsky
At the center of this life-size painting stands humble St. Francis. Scenes from his life fill this gilded panel. Bonaventura Berlinghieri, Saint Francis Altarpiece by Dr. Steven Zucker and Dr. Beth Harris
Taut skin, exposed ribs, a bleeding wound—this Christ suffered in both life and death. Medieval viewers took solace in his pain. Röttgen Pietà by Dr. Nancy Ross