Maintaining a precarious balance between representation and abstraction, Picasso and Braque saw themselves as pursuing a daring and dangerous course. Pablo Picasso, Three Women by Dr. Charles Cramer and Dr. Kim Grant
If you suddenly found yourself the heir to a royal throne, what steps would you take to advertise that you are indeed the rightful inheritor? Gil de Siloé, The Tomb of Juan ... by Dr. Lauren Kilroy-Ewbank
The subject takes control over the outdoor setting, expressing her independence in spite of limitations. A summer day in Paris: Berthe Morisot’s ... by Dr. Beth Harris and Dr. Steven Zucker
Renoir wanted to forget everything he knew about how to paint so that he could render light as it really is. How to recognize Renoir: The Swing by Dr. Beth Harris and Dr. Steven Zucker
Like a phoenix, this church rose from the ashes. Wren’s enormous dome was the first of its kind in England. Wren, Saint Paul’s Cathedral by Dr. Beth Harris and Dr. Steven Zucker
Lacking access to the cafes and bars male Impressionists painted, Morisot mastered intimate domestic interiors. Berthe Morisot, The Cradle by Dr. Beth Harris and Dr. Steven Zucker
Manet decided to replace the idealized female nude with the image of a known prostitute. It didn’t go so well. Édouard Manet, Olympia by Dr. Thomas Folland
This aborted commission was meant for a museum that was to be on the site of the Musée d’Orsay—where it now stands. Auguste Rodin, The Gates of Hell by Dr. Beth Harris and Dr. Steven Zucker
Central to the Counter Reformation, Bernini’s double colonnades activate St. Peter’s and reach out into the city. Gian Lorenzo Bernini, St. Peter’s Square by Dr. Beth Harris and Dr. Steven Zucker