Hesse proves that powerful, emotionally charged art doesn't have to be pretty. The last work of Eva Hesse by Dr. Beth Harris and Dr. Steven Zucker
This mask is a rare document of the Dada movement and an embodiment of the so-called “approximate man.” Dada’s “Approximate Man”: A Portrait of Tristan ... by Dr. Eduard Andrei
A century before democracy was tested by social media gone rogue, Hausmann understood the dark side of technology. Raoul Hausmann, Spirit of the Age: Mechanical ... by Dr. Beth Harris and Dr. Steven Zucker
Picasso was a technically skilled draftsman—so why did he choose to take his forms apart? Pablo Picasso and the new language of ... by Dr. Beth Harris and Dr. Steven Zucker
An homage to Cézanne, but also a reaction to having seen Picasso’s Les Demoiselles d’Avignon, Braque is exploring. Georges Braque, Le Viaduc à L’Estaque, (The ... by Dr. Beth Harris and Dr. Steven Zucker
Moholy-Nagy influenced the Bauhaus in its shift toward industrial aesthetics and materials. László Moholy-Nagy, Composition A.XX by Dr. Beth Harris and Dr. Steven Zucker
Smith imbues a normally-violent story with tenderness in the embrace between a woman and a wolf. Kiki Smith, Lying with the Wolf by Dr. Allison Young
Male and female forms reveal and conceal themselves simultaneously in this polished marble sculpture. Louise Bourgeois, Cumul I by Karen Schifman