An 18th-century painting from New Spain visualizes Christ's suffering in New Spain Juan Patricio Morlete Ruiz, Christ Consoled by ... by Dr. Lauren Kilroy-Ewbank and Dr. Beth Harris
Vilar's sculpture of Tlahuicole draws on the style of Neoclassicism to show the heroic Tlaxcalan warrior Tlahuicole who battled the Aztecs Manuel Vilar, Tlahuicole by Dr. Lauren Kilroy-Ewbank and Dr. Steven Zucker
An enormous cactus in the Mexican landscape is captured in amazing detail by the painter José María Velasco in teh 19th century José María Velasco, The Candelabrum by Dr. Lauren Kilroy-Ewbank and Dr. Beth Harris
Francisco Goitia's image of universal suffering confronts us directly Francisco Goitia, Tata Jesucristo by Dr. Lauren Kilroy-Ewbank and Dr. Steven Zucker
Parra uses a 16th-century friar to comment on 19th-century events, as artists began to make a new art for a new nation. Félix Parra, Fray Bartolomé de las Casas by Dr. Lauren Kilroy-Ewbank and Dr. Beth Harris
What does the music of heaven sound like? What does the music of heaven sound ... by Dr. Lauren Kilroy-Ewbank
A continuous narrative, this shows three different parts of the story, each in a different part of the landscape. Baltasar de Echave Ibía, The Hermits by Dr. Lauren Kilroy-Ewbank and Dr. Steven Zucker
Cabrera fancied himself the Michelangelo of Mexico, but chose to borrow the format and iconography of Rubens. Miguel Cabrera, Virgin of the Apocalypse by Dr. Melisa Palermo
Velasco shows us the history of the land, both the natural and the built environments. José María Velasco, The Valley of Mexico ... by Dr. Emmanuel Ortega