Everything seems so perfect... Hang on, what’s that in the foreground? And why is that lute string broken? The carpet and the globe: Holbein’s The ... by Dr. Lauren Kilroy-Ewbank
Gentile Bellini's portrait of Mehmed II has been re-interpreted and understood many times since it was produced nearly 550 years ago. Gentile Bellini, Portrait of Sultan Mehmed II by Dr. Elizabeth Rodini
What are Persian carpets, a peacock, and a cucumber doing in a painting of The Annunciation? Carlo Crivelli, The Annunciation with Saint Emidius by Dr. Sally Hickson
A portrait of the cultivated, but deeply flawed, politically inept, and unlucky King Charles I, who ended his days beheaded on a scaffold. Anthony van Dyck, Equestrian Portrait of Charles ... by Michael John Partington
Van Eyck’s enigmatic and iconic double portrait often prompts the question: is the female figure pregnant? The question of pregnancy in Jan van ... by Dr. Lane Eagles
Landscape painting was considered lowly subject, but Constable gives them the six-foot treatment. John Constable, The Hay Wain by Dr. Steven Zucker and Dr. Beth Harris
With its relaxed poses and outdoor setting, this portrait exemplifies the “conversation piece.” But is it finished? Thomas Gainsborough, Mr. and Mrs. Andrews by Dr. Abram Fox
The subject matter of this painting couldn’t be more traditional, but its formal characteristics make it modern. Paul Cézanne, Bathers (Les Grandes Baigneuses) by Dr. Steven Zucker and Dr. Beth Harris
Smooth talkers, vain aristocrats, disreputable doctors, unfaithful lovers—Hogarth’s moralizing takes no prisoners. William Hogarth, Marriage A-la-Mode by Dr. Steven Zucker and Dr. Beth Harris
Hinged together, these two panels stage Richard II’s audience with the Virgin and Christ Child. Count the angels! The Wilton Diptych by Dr. Steven Zucker and Dr. Beth Harris
“As I can.” On the frame to this portrait, the painter humblebrags—and establishes his place in history. Jan van Eyck, Portrait of a Man ... by Dr. Steven Zucker and Dr. Beth Harris
Riddle me this. Bronzino’s allegorical painting is one of the most disturbing and curious in all of art history. Bronzino, An Allegory with Venus and Cupid by Dr. Beth Harris and Dr. Steven Zucker
The Italian city-states were constantly at war, but this battle is between surface decoration and deep space. Paolo Uccello, Battle of San Romano by Dr. Beth Harris and Dr. Steven Zucker
Who are all these people? As it turns out, confusion is just part of the narrative—as is observation. Paolo Veronese, The Family of Darius before Alexander by Dr. Steven Zucker and Dr. Beth Harris
Jupiter swoops down and brings Hercules to nurse at Juno’s breast. The milk that spurts up creates the Milky Way. Jacopo Tintoretto, The Origin of the Milky Way by Dr. Steven Zucker and Dr. Beth Harris
Don’t touch me! Titian’s ghostly Christ evades Mary Magdalene’s reach—and escapes her searching gaze. Titian, Noli me Tangere by Dr. Steven Zucker and Dr. Beth Harris
What a catch! Henry VIII reportedly kissed this likeness of Christina, but their marriage was not to be. Hans Holbein the Younger, Christina of Denmark, Duchess ... by Dr. Steven Zucker and Dr. Beth Harris
Is the pleasure worth the pain? At the Court of Saxony, an aristocratic woman vamps it up as Venus. Lucas Cranach the Elder, Cupid complaining to Venus by Dr. Steven Zucker and Dr. Beth Harris
In this solemn and precisely rendered scene, the material world reveals the spiritual. But what’s that angel up to? Gerard David, The Virgin and Child with ... by Dr. Steven Zucker and Dr. Beth Harris
Cool greens and warm golds meld on this seductive canvas. The great swirls of paint were a model for later artists. Paolo Veronese, The Dream of Saint Helena by Dr. Steven Zucker and Dr. Beth Harris