A plaster cast of a manhole cover from the streets of Manhattan is a testament to this artist's experimental use of materials Sari Dienes, Star Circle by Dr. Sarah Eckhardt and Dr. Steven Zucker
Rauschenberg's Signs is a montage of iconic symbols of 1960s culture Robert Rauschenberg, Signs by Dr. Thomas Folland
When an artist erases another artist's drawing, is it still a drawing, and whose? This work challenges the art definitions and contexts of its time. In 1953, Robert Rauschenberg erased a drawing ... by Dr. Thomas Folland
A portrait of a president transformed by tragedy. Homage to JFK: Rauschenberg’s Retroactive I by Patricia Hickson, Wadsworth Atheneum Museum of Art and Dr. Steven Zucker
Frankenthaler doesn’t paint the landscape per se, but offers an intuitive response to Cape Breton in Nova Scotia. Helen Frankenthaler, Mountains and Sea by Dr. Beth Harris and Dr. Steven Zucker
Though hand painted, this image’s regularity erased any sign of individuality or emotional investment in the work. Frank Stella, The Marriage of Reason and ... by Dr. Virginia B. Spivey
How does Reinhardt make his “black paintings” with no black at all? The Painting Techniques of Ad Reinhardt by The Museum of Modern Art
Be patient! From the depths of Reinhardt’s black canvases, color and shapes emerge. Ad Reinhardt by The Museum of Modern Art
Layers of built-up wax obscure headlines and newspaper images in this painting composed of three canvases. Jasper Johns, White Flag by The Metropolitan Museum of Art
This collaboratively created work brings the darkly psychological space of Americana into the gallery. Ed Kienholz and Nancy Reddin Kienholz, Useful ... by Portland Art Museum
Art on the edge of perception—Ad Reinhardt works with the biology of human sight and rewards close looking. Ad Reinhardt, Abstract Painting by Sal Khan and Dr. Steven Zucker
Rauschenberg includes a pillow and a quilt in this work—elements of a bed—but no one will use it for a nap. Robert Rauschenberg, Bed by Dr. Beth Harris and Dr. Steven Zucker
She was a pioneer of the “soak-stain method” of diluting acrylic paint and pouring it into unprimed canvas. Helen Frankenthaler, The Bay by Farisa Khalid
Clothing, paper, a paint tube, photographs, and a stuffed bald eagle—but it’s more than an accumulation of debris. Robert Rauschenberg, Canyon by Dr. Thomas Folland
Abstract Expressionism, combined with Pop from Britain, were major influences on artists of the 1950s and 60s. The Impact of Abstract Expressionism by Oxford University Press