Why those hazy rectangles, and why should I care? Here’s why. The Case for Mark Rothko by The Art Assignment
Just because a painting isn’t full of angels doesn’t mean it isn’t spiritual and transcendent. Mark Rothko, No. 210/No. 211 (Orange), 1960 by Dr. Margaret C. Conrads and Dr. Steven Zucker
Rothko wanted his paintings hung as low as possible, so the viewer could enter the painting. Mark Rothko (at MoMA) by The Museum of Modern Art
What happens when a painting is vandalized? See how conservators at Tate leapt into action to save a painting. Restoring Rothko by Tate
If you’re not in tears, you may not understand this painting—at least according to the artist. Mark Rothko, No. 3/No. 13 by Dr. Beth Harris and Dr. Steven Zucker
This post-WWII movement is characterized by non-objective imagery seemingly charged with personal meaning. Abstract Expressionism, an introduction by Dr. Virginia B. Spivey