A totem pole records Tlingit claims to land in southeastern Alaska by acknowledging the first sighting of a white man, who happens to be based on the likeness of Abraham Lincoln.
This swaying juke joint belies its purpose as the central meeting place enlivened by music and dance in many African American communities, but its jubilance is tempered by the painting's ominous atmosphere
Kaphar’s painting uses defacement as a way of critiquing Andrew Jackson and his role in the Trail of Tears. It makes us consider the role of presidential power, both past and present. APUSH: KC-4.3.I.B, KC-9.2.II.C TEKS:113.41.(24)(A)