Assemblage, a practice of art production that combines disparate everyday objects and materials to create new meanings and forms, rose to popularity among American artists following World War II.
Referencing the photographs of Edward Curtis, Wilson intends to produce a contemporary visual reimagining of Native American culture through his photographs.
Mel Chin describes the origins and motivations behind the nationwide art project Paydirt in a keynote address to the 2008 National Art Education Association Convention, and visits multiple sites in New Orleans adversely affected by both Hurricane Katrina and lead contamination in the soil.
Artist Lee Bul reveals her thinking and inspiration behind her site-specific installation at the Turbine Hall of the Industrial Precinct on Cockatoo Island, titled 'Willing To Be Vulnerable' (2015–16) for the Embassy of the Real.
To behold a painting or sculpture by the Korean artist and philosopher Lee Ufan is to feel suspended in a single breath longer than seems biologically possible.
In his New York City studio, Takashi Murakami discusses his three-decades-long practice in which he blends traditional and modern art techniques to create enormous paintings with a visual power unmatched in contemporary art.