According to the artist (Reginald Marsh), at Coney Island, “The best show is the people themselves.” Reginald Marsh, Wooden Horses by Erin Monroe, Wadsworth Atheneum Museum of Art and Dr. Steven Zucker
Global trade in a cup of tea: Colonial America, sugar and slavery. The triangle trade and the colonial table, ... by Brandy Culp, Wadsworth Atheneum Museum of Art and Dr. Beth Harris
A portrait of a president transformed by tragedy. Homage to JFK: Rauschenberg’s Retroactive I by Patricia Hickson, Wadsworth Atheneum Museum of Art and Dr. Steven Zucker
The gun that "won the West" also transformed American manufacturing and marketing. Inventing America, Colt’s Experimental Pocket Pistol by Brandy Culp, Wadsworth Atheneum Museum of Art and Dr. Steven Zucker
The artist asks us if maintaining can be as important as creating. Mierle Laderman Ukeles, Washing/Tracks/Maintenance: Outside (July 23, ... by Patricia Hickson, Wadsworth Atheneum Museum of Art and Dr. Beth Harris
Captured here in paint, this grand Californian landscape would soon disappear under water. Albert Bierstadt, Hetch Hetchy Valley, California by Erin Monroe, Wadsworth Atheneum Museum of Art and Dr. Beth Harris
Artifacts like this are key for reminding us of a history of racism that is all too easy to forget. Connecticut Klan robe by Dr. William Frank Mitchell, The Amistad Center for Art & Culture at the Wadsworth Atheneum Museum of Art and Dr. Steven Zucker
Thought the Puritans were dour? Think again! Puritan court cupboard by Brandy Culp, Wadsworth Atheneum Museum of Art and Dr. Beth Harris
Confused by this painting? Imagine lying on the grass under a tree and looking up. Georgia O’Keeffe, The Lawrence Tree by Dr. Beth Harris and Dr. Steven Zucker