Where would we be without our cameras?
c. 1827–now
Where would we be without our cameras?
c. 1827–now
"To collect photographs is to collect the world."
—Susan Sontag, On Photography (1977)
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Hasbun's photograph of an X-ray is deeply laden with meaning and tragedy.
Báez’s photograph poetically expresses the tie between the artist and her origins.
Science, art, and technology come together in Bruguière's abstract photograph.
Fenton's Crimean War photographs represent one of the earliest systematic attempts to document a war through photography.
John Brown poses for daguerreotypist Augustus Washington in one of the most potent photographic portraits of the 19th century.
Striking dramatic poses, the artists of Asco project cinematic fantasy and evoke mystery in À La Mode.
Indigenous students at the Carlisle Indian Industrial School were photographed "before and after" forced assimilation.
Using photography, Shigemi Uyeda captured the environment of Los Angeles and the growing popularity of oil production in the early 20th century.
In Vues de dos, Malick Sidibé took his background in portrait photography to new compositions inspired by Mali and Western traditions in portraiture.
At the age of 22, American photographer Esther Bubley took a six-week unaccompanied Greyhound bus trip.
Though also a painter, Carvalho's fame primarily rests on his career as a photographer working in the earliest decades of photography.
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