In the distance, lightning strikes. What does it mean? Poetic and evocative, this painting invites interpretation. Giorgione, The Tempest by Dr. James R. Jewitt
Brotherhoods lent stability to religious and civic life. These wealthy institutions also commissioned paintings. Devotional confraternities (scuole) in Renaissance Venice by Dr. Lorenza Smith
This personal image was destined for Titian’s tomb, but he may also appear in it as St. Jerome. Titian and Jacopo Palma il Giovane, Pietà by Dr. Steven Zucker and Dr. Beth Harris
Veronese described himself as a painter of figures. Judging by the throng depicted here, he clearly enjoyed it. Paolo Veronese, Feast in the House of ... by Dr. Beth Harris and Dr. Steven Zucker
With its decorative marble and golden light, this space looks a lot like San Marco. Shall we? St. Francis beckons. Giovanni Bellini, San Giobbe Altarpiece by Dr. Beth Harris and Dr. Steven Zucker
This painting was once criticized for its loose, open brushwork—a hallmark of Tintoretto’s style we now admire. Jacopo Tintoretto, The Miracle of the Slave by Dr. Beth Harris and Dr. Steven Zucker
Asked to explain his art to the Inquisition, Veronese claimed that painters, like madmen, enjoyed poetic license. Transcript of the trial of Veronese by Dr. Beth Harris and Dr. Steven Zucker