Verrocchio's David, sculpted only a couple decades after Donatello's version, is more real than idealized Verrocchio, David with the Head of Goliath by Dr. Beth Harris and Dr. Steven Zucker
His nudity references classical antiquity, but David embodies the ideals and concerns of 15th-century Florence. Donatello, David by Dr. Heather Graham
A soldier saint in Renaissance Florence. Donatello, Saint George by Dr. Beth Harris and Dr. Steven Zucker