Learn the story behind this totem pole that no longer stands The story of the Oyster Man, a ... by Teresa DeWitt and Dr. Lauren Kilroy-Ewbank
Dorica Jackson spent 16 years weaving this robe with an abstract whale design and fringe that would animate the movements of a dancer Dorica Jackson, Diving Whale Chilkat Robe by Dorica Jackson and Dr. Lauren Kilroy-Ewbank
What is a potlatch? And how is it related to this totem pole? Haida potlatch pole by Teresa DeWitt and Dr. Lauren Kilroy-Ewbank
The body of this box is made of one piece of wood carefully bent into its four sides Bentwood Boxes of the Northwest Coast peoples by Teresa DeWitt, Totem Heritage Center Museum Attendant and Dr. Lauren Kilroy-Ewbank
Learn about two types of totem poles from the Tlingit people of the Pacific Northwest Coast that memorialize individuals who have passed Tlingit mortuary and memorial totem poles by Teresa DeWitt and Dr. Lauren Kilroy-Ewbank
In the Arctic, where temperatures are below freezing for most of the year, warm clothing is of great importance. Arctic clothing by The British Museum
A 19th-century totem pole from Old Kasaan village of the Haida helps us to understand the meaning and function of clan crests. Haida Totem Pole, from Old Kasaan by Dr. Lauren Kilroy-Ewbank and Teresa DeWitt, Totem Heritage Center Museum Attendant
The Mogollon tradition of the Greater Southwest was diverse, expansive, and vibrant. Introduction to Mogollon by Dr. Lauren Kilroy-Ewbank
Pottery Makers is one of many that the artist Awa Tsireh (Cattail Bird, Spanish name Alfonso Roybal) created about Pueblo cultures Awa Tsireh, Pottery Makers by Ryuichi Nakayama
Paquimé played a key role in trade and cultural contacts between the Pueblo culture of the southwestern United States and Mesoamerica. Paquimé (Casas Grandes), Mogollon culture by UNESCO
Me and My Neon Box embodies Kay WalkingStick’s process of working through questions about painting, sexuality, gender, and race. Kay WalkingStick, Me and My Neon Box by Gabriella Shypula
This prestigious garment follows a traditional design passed down through generations of Indigenous Alaskans. Clarissa Rizal, Resilience Robe by Dr. Beth Harris and Lily Hope at Portland Art Museum
A headdress that is in exceptional condition tells us about warrior culture among the Lakota or Cheyenne Headdress (Cheyenne or Lakota) by Minneapolis Institute of Art
Between 6000 and 1000 B.C.E., thousands of nomadic Native Americans travelled and lived along the Mississippi and Ohio rivers, making enigmatic, carefully carved stones known today as bannerstones. Bannerstones, an introduction by Dr. Anna Blume
This rattle was used in a healing ceremony by the Tsimshian Tsimshian shaman’s rattle by The Metropolitan Museum of Art
This Ancestral Puebloan jar was made to store good during a time of drought Socorro black-on-white storage jar by The Metropolitan Museum of Art
A bag that belonged to the first ordained Native American Methodist minister Anishinaabe shoulder bag by The Metropolitan Museum of Art
A Hopi blessing for a child's growth and prosperity, with a reminder to respect elders White Ogre Tihu (Katsina Figure) by The Metropolitan Museum of Art
A drawing in pencil, ink, and watercolor over 8 feet long tells the story of the Battle of Little Bighorn Mató Nájin/Standing Bear, Battle of Little Bighorn by The Metropolitan Museum of Art
A unique water jar from Acoma that features a pumpkin Acoma polychrome water jar by The Metropolitan Museum of Art