Find out what qualities of watercolor made it the medium of choice for many Renaissance illuminated manuscripts, portrait miniatures and colored drawings Renaissance Watercolours: materials and techniques by Victoria and Albert Museum, London
Their island climate didn’t suit fresco, so the Venetians tried oils instead—these paints blend when wet. Oil paint in Venice by Dr. Beth Harris and Dr. Steven Zucker
Jay Krueger, head of painting conservation at the Gallery, investigated the layers and materials Rothko might have used to create the black paintings. Investigating Rothko’s Technique by National Gallery of Art, Washington D.C.
Renaissance painters often used underdrawings to guide their brushes, particularly when tackling hands and drapery. Almost Invisible: The Cartoon Transfer Process by The J. Paul Getty Museum
Evenly spaced staples? Check. No surface undulations? Check. This taut, large-format canvas is ready to paint. How to stretch a large canvas by Corey D'Augustine
From carpenters and workshop assistants to apothecaries and goldsmiths, it took a village to make a panel painting. Gold-ground panel painting by The J. Paul Getty Museum
What did medieval and Renaissance painters have in common with pharmacists? Hint: a mortar and pestle. Tempera paint by Dr. Beth Harris and Dr. Steven Zucker