Pérez de Holguín creates an opulent vision of the city of Potosí, disregarding the infamous stories of poverty and exploitation in the mines of the Cerro Rico
Follow the conservation treatment and research of “Emblem of Folly,” a painting from colonial Cuzco. Committed study of these works can help create a better understanding of Latinx cultural identity and history.
The Ovalle map is one the earliest maps of Chile that circulated around Europe, and includes people, plants, and animals to create a vivid sense of the lands controlled by the Spanish Crown.
Guaman Poma's “The Bad Confession” image participates in a larger argument about the ability for native Andeans to rule themselves without Spanish intervention.
Textiles remained important items after the Spanish conquest in the Viceroyalty of Peru. Churches were even painted with textile murals to endow these spaces with sacredness.
Roman mythology, Christian iconography, European painting and sculpture, and indigenous traditions come together in the art of South America soon after the Spanish conquest.
“For wide is the gate and broad is the road that leads to destruction, and many enter through it / But small is the gate and narrow the road that leads to life, and only a few find it.”
Sinners depicted along the lower register receive an array of bodily tortures; the souls in heaven, by contrast, surround the ascended Christ in an orderly formation.
Cuzco School paintings came into such high demand that they were exported to patrons residing in far-flung cities located in present-day Chile and Argentina, and even Italy.