A-level: British and American contemporary

It can be difficult gain perspective on your own time, but these artists manage to do just that.

1960–now

Beginner's guide

Art has never been more diverse, but here's a good starting point.

videos + essays

A-Level: Sample set of works for British and American contemporary
A-Level: Sample set of works for British and American contemporary

Anything goes—from portraits to performance, what we call ‘art’ has changed considerably in the last 50 years.

A-Level: Chris Ofili, <em>The Holy Virgin Mary</em>
A-Level: Chris Ofili, The Holy Virgin Mary

Why did the mayor of New York City threaten to close the museum exhibiting Ofili’s painting of the Virgin Mary?

A-Level: Contemporary Art, an introduction
A-Level: Contemporary Art, an introduction

Since 1960, artists have come up with countless ways to engage audiences on a huge spectrum of topics.

A-Level: Lynda Benglis, <em>Omega</em>, and Judy Chicago, <em>Pasadena Lifesaver, Blue Series, Number 4</em>
A-Level: Lynda Benglis, Omega, and Judy Chicago, Pasadena Lifesaver, Blue Series, Number 4

Purity and geometry, knotted and explosive: two approaches to feminist art from the early 1970s.

A-Level: Mary Kelly, <em>Post-Partum Document</em>
A-Level: Mary Kelly, Post-Partum Document

Motherhood is explored and documented—but not sugarcoated—in Kelly’s five-year-long project.

A-Level: Andy Warhol, <em>Gold Marilyn Monroe</em>
A-Level: Andy Warhol, Gold Marilyn Monroe

Marilyn’s floating head, garishly colored, functions as the Virgin Mary in a Byzantine icon.

A-Level: Andy Warhol, <em>Marilyn Diptych</em>
A-Level: Andy Warhol, Marilyn Diptych

Warhol used a quasi-mechanical process of silkscreen to reproduce Marilyn Monroe’s familiar face again and again.

A-Level: Why is this art? Andy Warhol, <em>Campbell’s Soup Cans</em>
A-Level: Why is this art? Andy Warhol, Campbell’s Soup Cans

By putting this in the museum, we see this as art. But what if it weren’t there?