Purity and geometry, knotted and explosive: two approaches to feminist art from the early 1970s.
Bruce Guenther
Duchamp’s wife spent hours gluing prints of her husband’s work onto cardboard for this “portable retrospective.”
Marcel Duchamp, Boite-en-valise, Series F
Purity and geometry, knotted and explosive: two approaches to feminist art from the early 1970s.
