Back Home
Generic selectors
Exact matches only
Search in title
Search in content
Search in posts
Search in pages

More results

Menu
  • Start here
    • First things first
    • Tools for understanding art
    • Tools for understanding museums
    • Tools for understanding religion in art
    • For the very beginner
    • Close
  • Art histories
    • Prehistoric
      • Paleolithic
      • Neolithic
      • Close
    • Africa
      • East Africa
      • West Africa
      • North Africa
      • Southern Africa
      • Central Africa
      • Close
    • The Americas
      • North America to 1500
      • North America c. 1500 – 1900
      • South America to 1500
      • South America c. 1500 – 1900
      • Close
    • Asia
      • Hinduism and Buddhism: a beginner’s guide
      • China
      • Japan
      • Korea
      • South Asia
      • Afghanistan
      • Southeast Asia
      • The Himalayas
      • Close
    • Ancient Mediterranean
      • Ancient Near East
      • Egyptian
      • Aegean
      • Greek
      • Nabataean
      • Etruscan
      • Roman
      • Palmyra
      • Close
    • Medieval Europe + Byzantine
      • A beginner’s guide
      • Christianity and art
      • Judaism and art
      • The medieval book
      • Early Christian
      • Byzantine
      • Carolingian
      • Ottonian
      • Romanesque
      • Gothic
      • The Crusades
      • Close
    • The Islamic World
      • A beginner’s guide
      • Early Period
      • Medieval Period
      • Later Period
      • Close
    • Europe 1300-1800
      • Italy: 14th century
      • Italy: 15th century
      • Italy: 16th century
      • Northern Europe: 15th century
      • Northern Europe: 16th century
      • Spain: 15th and 16th century
      • Reformation & Counter-Reformation
      • Baroque: 17th century
      • Rococo: early to mid 18th century
      • Neoclassicism: late 18th century
      • British: 18th century
      • Close
    • Europe 1800 – 1900
      • Romanticism
      • Early photography
      • Victorian Art
      • Realism
      • Second Empire
      • Impressionism
      • Post-Impressionism
      • Symbolism/Art Nouveau
      • The Peredvizhniki
      • Close
    • Oceania
      • Lapita people
      • Polynesia
      • Melanesia
      • Micronesia
      • Australia
      • Close
    • Modernisms 1900-1980
      • A beginner’s guide
      • Cubism + early abstraction
      • Dada + Surrealism
      • German art between the wars
      • Latin American Modernism
      • American art to World War II
      • Postwar American Art
      • Post Minimalism
      • Postwar Europe
      • Conceptual + Performance Art
      • Global vanguards
      • Architecture + design
      • Close
    • Global Cultures 1980 – now
      • Appropriation and ideological critique
      • Identity and the body
      • Banality and Kitsch
      • Ritual, spirituality, and transcendence
      • Histories, real and imagined
      • Close
    • Close
  • Themes + topics
    • Seeing America (bringing American history to life)
    • ARCHES (At Risk Cultural Heritage Education Series)
    • Across cultures
    • Creating + conserving
    • Short and long courses
    • AP Art History
    • A-level Art History
    • Contribute an essay!
    • Smarthistory video creation guide
    • Close

Creating + conserving

Browse by image
The conservator's eye
The conservator's eye: Marble statue of a wounded warrior
The conservator's eye: Taddeo Gaddi, Saint Julian
The conservator’s eye: a stained glass Adoration of the Magi
The conservator’s eye: Rembrandt, Aristotle with a Bust of Homer
The conservator's eye: Madame Cézanne in the Conservatory
The conservator’s eye: Anselm Kiefer, Bohemia Lies by the Sea
What is conservation?
Art Conservation Behind the Scenes
What does a conservator do?
Tools of the Trade
Scientific research glossary of terms
Conservation glossary of terms
About color
Making Purple: The Science of Art
Making Green: Tempera versus Oil
The Alchemy of Color and Chemical Change in Medieval Manuscripts
Painting
Making
Tempera paint
Gold-ground panel painting
Oil paint
How to stretch a large canvas
Almost Invisible: The Cartoon Transfer Process
How to paint like Jackson Pollock
Investigating Rothko's Technique
How to paint like Mark Rothko
How to paint like Yayoi Kusama
How to paint like Willem de Kooning
How to paint like Agnes Martin
How to paint like Barnett Newman
How to paint like Franz Kline
How to paint like Ad Reinhardt
Conserving
Conservation of paintings
Ghent Altarpiece project overview
Conserving a portrait of King Edward VI
Jan Gossart – Conservation Discoveries
Conserving Velázquez's Portrait of Philip IV
Conserving Flowers in a Glass Vase
Michael Gallagher on Everhard Jabach and His Family
Conserving the Virgin of Guadalupe
Conserving Vincent van Gogh's Field with Irises near Arles
Van Gogh's Enclosed Field with Ploughman under raking light
The Science of Van Gogh's Bedrooms
Restoring Rothko
Art terms in action
Art Terms in Action: Paint
Art Terms in Action: Turpentine Burn
Art Terms in Action: Palette Knife
Art Terms in Action: Tint, Shade, and Tone
Art Terms in Action: Emulsion
Art Terms in Action: Enamel
Art Terms in Action: Stain
Art Terms in Action: Viscosity
Sculpture
Making
Carving Marble with Traditional Tools
Quarrying and carving marble
Medieval goldsmiths – Treasures of Heaven at the British Museum
Making a Spanish polychrome sculpture
Bronze casting using the lost-wax technique
Bronze casting using the direct lost-wax method
Working jade
Conserving
The Conservation of Tullio Lombardo's Adam
Object Conservation – Salisbury Cross
Contemporary Art Conservation at Smithsonian's Hirshhorn Museum
Prints
Making
Introduction to printmaking
Introduction to relief printmaking
Relief process
Introduction to intaglio
Intaglio process
Lithography process
Introduction to lithography
Conserving
Science and Paper: Conserving a Drypoint by Michael Heizer
Drawings and manuscripts
Making
Making manuscripts
Drawing with Charcoal: Historical Techniques of 19th-Century France
Conserving
Conserving Old Master Drawings
Henri Matisse: Conserving The Swimming Pool
Photographs
Making
Before photography (1 of 12)
The Daguerreotype (2 of 12)
Talbot's Processes (3 of 12)
The Cyanotype (4 of 12)
The Collodion process (5 of 12)
The Albumen Print (6 of 12)
The Platinum Print (7 of 12)
The Pigment Processes (8 of 12)
The Woodburytype (9 of 12)
The Gelatin Silver Process (10 of 12)
Color Photography (11 of 12)
Digital Photography (12 of 12)
Ceramic and lacquer
Making
Greek Vase-Painting, an introduction
Ancient Greek vase production and the black-figure technique
Making Greek vases
Mosaic, metalwork and glass
Making
Glassmaking technique: free-blown glass
Mold-blown Glass
Ancient and Byzantine Mosaic Materials
Medieval Goldsmiths
Enamelling
The Electrotyping Process
Textiles
Making
The art of making a tapestry
Conserving
William Morris, The Bullerswood Carpet
Conserving the Emperor's Carpet
Frames
Choosing
Framing Christina's World by Andrew Wyeth
Conserving
Behind the scenes of the framing department at The National Gallery, London
Van Dyck's Self-portrait: The Frame and its Conservation
Architecture
Conserving
Kasbah Taourirt: Conserving Earthen Heritage in Morocco
Conservation Reel archive
What is conservation?
Lab Tour: Conservation Science
IMA Conservation: Examining a Work
IMA Conservation: The Oddy Test
IMA Conservation: Documentation Imaging
IMA Conservation: 5 Questions with Richard McCoy
IMA Conservation: 5 Questions with Linda Witkowski
IMA Conservation: 5 Questions with Kristen Adsit
IMA Conservation: 5 Questions with Gregory Smith
IMA Conservation: 5 Questions with David Miller
IMA Conservation: 5 Questions with Amanda Holden
IMA Conservation: 5 Questions with Aaron Steele
Manuscripts and works on paper
How to Examine a Work on Paper
Wrapping Paper Objects for Hand Transport
Painting
Conservation Notes: Tom Thomson's The West Wind
Finding the Lost Crucifix in a Perugino Panel Painting
Finding the Original Context of Rosselli's Kneeling Angel
Examining a Panel Painting
IMA Conservation: Cleaning a Painting
Inpainting a Van Dyck
IMA Conservation: Pigment Analysis with XRF Spectrometry
What X-Rays of a Vivarini Reveal About Its Past
Examining a Veronese with XRF Spectrometry
Sebastiano Mainardi: The Science of Art Installation, Behind the Scenes
Sculpture + installation
Lab Tour: Objects and Variable Art
Preserving Art: Tara Donovan's Untitled (Plastic Cups)
Tara Donovan's Untitled (Mylar)
Artist Max Dean on the conservation of As Yet Untitled
Talking Chaos with Roland Wetzel
A Conversation with Robert Irwin on Light and Space III
IMA Conservation: The Lightbulbs in Light and Space III
Evidence of Lost Wax Casting
Textiles
IMA Conservation: Preparing a Mola Garment for Display
IMA Conservation: Preparing Mola Textiles for Display
Frames
Examining a 17th-century frame
Architecture
The Making of the Bartholomew County Veterans Memorial
Modern Architecture as Heritage
Talks + symposia
Innovative Approaches to Conservation
Conservation Data and Digital Asset Management
Moving Responsibilities: The Care of Performance-Based Sculpture
The Invention of Glory: A Symposium
The Plus/Minus Dilemma: The Way Forward in Environmental Guidelines

Conservation Data and Digital Asset Management

by MCN

Video from the 2011 MCN conference.

Cite this page as: MCN, "Conservation Data and Digital Asset Management," in Smarthistory, May 9, 2017, accessed January 15, 2019, https://smarthistory.org/conservation-data-and-digital-asset-management/.

At Smarthistory, we’re on a mission to open museums and cultural sites up to the world. We’re creating world-class resources on art and cultural objects for learners from around the globe—for free.

  • About Smarthistory
  • Smarthistory’s blog
  • Contribute an essay
  • Content editors and contributors
  • Donate
  • Subscribe to our newsletter
  • Contact Us

This work is licensed under a Creative Commons
Attribution-NonCommercial-ShareAlike 4.0 International License

· © 2019 Smarthistory · Designed by Press Customizr · Powered by ·