Painting at its most poetic.
1500 - 1600
Beginner's guide
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Titian, Diana and Actaeon
Titian's works are his attempt to represent the unruly supernatural forces of the ancient world and the strife they inflict on human beings, which remain as relevant as ever.
Giorgione, The Tempest
In the distance, lightning strikes. What does it mean? Poetic and evocative, this painting invites interpretation.
Titian, two portraits of Pietro Aretino
Two portraits capture the ambition and impudence of Titian's close friend and publicist.
Jacopo Tintoretto, The Finding of the Body of Saint Mark
As it recesses, Tintoretto’s strange space collapses time. No wonder Saint Mark multiplies.
Titian and Jacopo Palma il Giovane, Pietà
This personal image was destined for Titian’s tomb, but he may also appear in it as St. Jerome.
Jacopo Tintoretto, Last Supper
Here, everything is askew. Form dissolves as Tintoretto unites Florentine line with Venetian color.
Paolo Veronese, Feast in the House of Levi
Veronese described himself as a painter of figures. Judging by the throng depicted here, he clearly enjoyed it.
Jacopo Tintoretto, The Miracle of the Slave
This painting was once criticized for its loose, open brushwork—a hallmark of Tintoretto’s style we now admire.
Titian, Madonna of the Pesaro Family
Titian’s depth of color and vivid illumination hold our attention, while Mary and Christ move apart and divide it.
Titian, Assumption of the Virgin
Following the outstretched arms of the apostles, we look up to Mary and arrive at a circle of light.
Giorgione, Three Philosophers
These three learned men differ in age, outlook, and dress. But do they represent religions, eras, or philosophies?
