Painting at its most poetic.
1500 - 1600
Painting at its most poetic.
1500 - 1600
We're adding new content all the time!
Titian's works are his attempt to represent the unruly supernatural forces of the ancient world and the strife they inflict on human beings, which remain as relevant as ever.
In the distance, lightning strikes. What does it mean? Poetic and evocative, this painting invites interpretation.
Two portraits capture the ambition and impudence of Titian's close friend and publicist.
As it recesses, Tintoretto’s strange space collapses time. No wonder Saint Mark multiplies.
This personal image was destined for Titian’s tomb, but he may also appear in it as St. Jerome.
Here, everything is askew. Form dissolves as Tintoretto unites Florentine line with Venetian color.
Veronese described himself as a painter of figures. Judging by the throng depicted here, he clearly enjoyed it.
This painting was once criticized for its loose, open brushwork—a hallmark of Tintoretto’s style we now admire.
Titian’s depth of color and vivid illumination hold our attention, while Mary and Christ move apart and divide it.
Following the outstretched arms of the apostles, we look up to Mary and arrive at a circle of light.
These three learned men differ in age, outlook, and dress. But do they represent religions, eras, or philosophies?
Curated Guides are collections of Smarthistory videos and essays curated and organized by leading scholars into strategic pathways for learning and teaching. Check out the 3 types of guides: The Basics, Syllabi, and Thematic Series!
Curated Guides are part of an ongoing effort to make Smarthistory even more useful for educators and learners everywhere. Stay tuned for more updates!