Test your knowledge with a quiz
- In 1936, Texas celebrated its independence from Mexico with the Texas Centennial Exposition in Dallas. Like many world’s fairs, it included pavilions and exhibitions by different groups, including the Hall of Negro Life, which traced Texas history from an African American perspective. The building was located on the periphery of the fairgrounds and demolished immediately after the end of the fair.
- Aaron Douglas was commissioned to paint four murals for the Hall of Negro Life, but only two survive today. His work reflected the philosophy of the Harlem Renaissance, influenced deeply by Alain Locke, who argued that African Americans should embrace and celebrate their African heritage.
- The artist combined elements of modern abstraction and traditions of Egyptian and European art to chronicle history from an African American perspective. While Douglas modeled his figures on Egyptian forms and Michelangelo’s Libyan Sibyl from the Sistine Chapel, he also used simple geometric shapes to suggest the Middle Passage, the North Star (which doubled as the Texas Lone Star), and jazz music.
- Using his characteristic silhouetted style, Aaron Douglas suggests specific references for the three figures on the podium, but leaves them open to more universal interpretations. For example, the seated woman can be understood both as both Mother Egypt and Sojourner Truth. The figures all represented the educated “New Negro,” speaking to the achievements and aspirations of African Americans in the early 20th century.
More to think about
If you were to paint the two missing panels, what subjects would you include?