Baroque art in Flanders

Rubens—a painter to Europe's most wealthy and powerful—is the star.

1600 - 1700

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Peter Paul Rubens, <em>The Adoration of the Magi</em>
Peter Paul Rubens, The Adoration of the Magi

It's said that Rubens painted this altarpiece entirely by himself—an exceptional feat for a painting this monumental.

Peter Paul Rubens, <em>Descent from the Cross</em>
Peter Paul Rubens, Descent from the Cross

Rubens's altarpiece meditates on the gravity of Christ as he is lowered from the cross.

Peter Paul Rubens, <em>Elevation of the Cross</em>
Peter Paul Rubens, Elevation of the Cross

Rubens's enormous altarpiece invites us to take part in the physical and emotional experience of Christ's elevation.

Peter Paul Rubens, <em>Mulay Ahmad</em>
Peter Paul Rubens, Mulay Ahmad

Based on a print made a century earlier, this figure appeared again in a later Rubens painting as the artist attempted to create an authentic portrayal of an African king.

Peter Paul Rubens, <em>Rubens and Isabella Brant in the Honeysuckle Bower</em>
Peter Paul Rubens, Rubens and Isabella Brant in the Honeysuckle Bower

You can almost smell the sweet fragrance of honeysuckle emanating from the garden alcove in this full-length portrait by Peter Paul Rubens of Rubens and his new wife, Isabella Brant

Peter Paul Rubens, <em>The Apotheosis of Henry IV and the Proclamation of the Regency of Marie de’ Médici</em>
Peter Paul Rubens, The Apotheosis of Henry IV and the Proclamation of the Regency of Marie de’ Médici

The painting is an overwhelming and learned piece of artistic propaganda.

Peter Paul Rubens, <em>Venus, Mars and Cupid</em>
Peter Paul Rubens, Venus, Mars and Cupid

Was it a diplomatic gift? Is it even a Rubens? Many questions surround this work; technical analysis can help.

Anthony Van Dyck, <em>Samson and Delilah</em>
Anthony Van Dyck, Samson and Delilah

Will Samson wake from his slumber? In this dramatic scene, all eyes are on those giant shears.

Anthony van Dyck, <em>Charles I at the Hunt</em>
Anthony van Dyck, Charles I at the Hunt

Van Dyck makes painting look easy! His king is just as self-assured—despite having dismounted, he exudes strength.

Peter Paul Rubens, <em>The Rape of the Daughters of Leucippus</em>
Peter Paul Rubens, The Rape of the Daughters of Leucippus

The myth is ancient, but these figures couldn’t be closer. Rubens’s virtuoso brushwork and color are on display.

Peter Paul Rubens, <em>The Consequences of War</em>
Peter Paul Rubens, The Consequences of War

This energetic painting captures the horror of war, from its overwhelming hopelessness to its cultural costs.

Peter Paul Rubens, <em>Arrival (or Disembarkation) of Marie de Medici at Marseilles</em>
Peter Paul Rubens, Arrival (or Disembarkation) of Marie de Medici at Marseilles

In Rubens’s hands, leaving a ship becomes a triumphal event—complete with a trumpeting angel.

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