While the Protestants criticized the cult of images, the Catholic Church ardently embraced them.
1600–1700 C.E.
While the Protestants criticized the cult of images, the Catholic Church ardently embraced them.
1600–1700 C.E.
Catholic artists painted primarily for the Church—while Protestants in Holland painted for the middle class.
Whether in sculpture, painting, or architecture, the baroque broke boundaries with its dynamic forms.
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Demonstrated by the Lion Temple in Naga and the Narmer Palette, Nubia and Egypt had a long history of interaction through trade, religion, and a shared visual language.
Join Dr. Stuart Tyson Smith for this teaching webinar.